Throughout Bleak House, a story very much concerned with lords and ladies and
heirs, I could not help being struck by the children in the story who are so
often neglected by everyone until they can be of some use. I am reminded of Gavroche in Les Miserables, a book almost
contemporary with Bleak House. Gavroche is a larger-than-life character
with far more agency than Jo. He lives
almost entirely on street smarts, yet he has practically raised himself, having
been put out by his parents, the Thenardiers.
In the story, Gavroche, having found out that his father was trapped
during a jailbreak and faces imminent recapture, immediately runs to the rescue
of his father and, after successfully saving him, is entirely ignored. After impatiently waiting for some
recognition, he runs off claiming that he has to look after his children. These children, however, have no relationship
to Gavroche. In fact, he meets them only
the day before. This subtle condemnation
of those responsible for the poor reappears in Mary Barton and in Bleak
House. Throughout all three stories,
assistance from the poor often comes from other poor people due to the
suffering they share. The consequences
often include the suffering of children like the Wilson twins in Mary Barton whose parents are unable to
help them while the factory owners, the patriarchs of Manchester, are unwilling
to help at all.
This tendency is intensified in Bleak House as children are not only
neglected, but like Gavroche, they are also placed in parent-like conditions. The children who can hardly support
themselves sacrifice their scant resources to support others. In chapter 15, Esther and Mr. Jarndyce meet
Charley, a young orphan girl who takes care of her two siblings after the death
of their parents. While she has some
assistance in that she does not need to pay rent, it is still her
responsibility to feed the younger children.
Esther tells us that “the little orphan girl had spoken of their father,
and their mother, as if all that sorrow were subdued by the necessity of taking
courage, and by her childish importance in being able to work, and by her
bustling busy way” (247). The little
girl is empowered to some extent by her ability to work. She becomes a mother figure, unable to
indulge even in grief because of the necessity of being a provider. This sets her in opposition to some of the
childlike characters in the book like Richard, who squanders all of his money,
and especially Skimpole, who leeches off of others and dodges his debts. Still, Charley’s relative helplessness,
despite her complete eagerness to work and provide, is highlighted by the fact
that she is allowed to keep their home without paying rent and benefits from
Esther taking her as a maid.
Jo is perhaps an even more
heroic character. He is also empowered
to some extent. He seems usually able to
make enough to support himself by sweeping; also, despite his persistent claim
that he “don’t know nothink”, Jo seems always to have a scrap of information to
sell. He is always in the know about the
things that the primary characters of the book need to know, and this is a
marketable commodity. Like Charley, he
is able to provide and produce, but unlike her, he has no one who relies on him. However, even Jo is willing to provide for
others who have no relation to him. When
Snagsby and Detective Bucket are searching or Joe in an attempt to discover the
identity of the woman whom Jo led to the cemetery, they find that he has been
on an errand to get medicine for Liz, a poor woman who has fallen ill (362). As he only recently received a gold coin for
leading Lady Dedlock to the cemetery, it is probable that he spent this money on
the sick woman. While Mary Barton places all of the working
class in the charge of their neglectful capitalist parents, Bleak House inverts this
relationship. Instead, the poorest of
the poor are put in parenting rules, but these responsibilities seem
futile. While children like Charley and
Jo are able to provide, it always seems that sympathy holds them back. Because they cannot ignore the plight of others,
they remain stuck in the same plight themselves.
Vince,
ReplyDeleteThanks for the incisive analysis. The miserable children is one Dickens' important themes in Bleak House. Gaskell humanizes the working men while Dickens' humanizes their children. Their working class fathers don't come off so well. I'm thinking of those degenerate fathers in Tom-all-alone's.